How the model is built
Fourteen short instruments feed a three-layer structural model. Each layer sits on the one below it: stable psychological traits shape ideological attitudes and values, which surface as observable political expression.
Most take two to five minutes. All fourteen at their shorter length is about 35 minutes, and about 50 on the path you are actually put on. Each estimate is worked out from the sitting actually drawn — reading time at a deliberately slow 180 words per minute, a beat to decide, and separate rates for the parts that are not reading at all: a museum image to look at properly, or a name to answer in its own row. A 15% margin on top, then rounded up, so it should run long rather than short. Nothing here needs to be done in one sitting, or at all: every assessment produces its own reading on its own.
Basic Dispositions
Stable psychological substrate
Maps the stable personality substrate your political temperament is built on — at aspect level, not just the five broad domains, since real published findings show the two aspects within a domain can diverge politically in ways a single blended domain score would hide.
Measures your general levels of positive and negative affect — the emotional backdrop that shapes how you take in and react to the world — and reads fear and anger apart from each other inside it, because they are widely assumed to push politics the same way and may not.
Fear is read from four of the ten negative adjectives and anger from two more. Both stay inside the Negative Affect score as well, so nothing about the composite changes — they are a second reading of answers already given, at no cost in questions.
Measures individual differences in disgust sensitivity across three domains: core disgust, animal-reminder disgust, and contamination-based disgust.
Measures cultural capital the way Bourdieu argued it works — by watching what you respond to, and then asking what you saw. Real museum objects and archive photographs, one at a time, rated on whether they land, named in one of four words, and, when new to you, identified from four answers. The register each object belongs to is hidden while you answer, so the reading is your reaction and your eye, not a performance of the correct response to a label.
Read from reactions to real museum objects and archive photographs rather than from self-report — every object public domain or CC0, and every one checked against its holding institution’s own per-object rights record rather than against a policy page. Each object asks three things in order: how it lands, on a five-step scale; which of Bourdieu’s four words is yours — beautiful, interesting, meaningless, ugly — the question his own survey asked; and what the object is, from four answers, with “I don’t know” always available and never wrong. The objects come from two worlds, each with its own registers — highbrow, folk, the popular print, and Bourdieu’s contested subjects; and for Iran, Persian manuscripts, Qajar painting, Qajar-era photography, and the applied arts — and each sitting draws from the track chosen at the door: the Iran track shows both worlds, the general track the general one, with Bourdieu’s subjects in both; the register is hidden while you answer. On a later sitting a third of the objects return, most under the museum’s or archive’s own wall label and one without it, so the reading can tell how far a name moved your eye. The score is competence, not taste: what you decoded, scored so that a guess earns nothing — a wrong answer costs a third of a right one, and a pass costs nothing — averaged with the share of objects you called interesting, Bourdieu’s marker of the distanced gaze. How warmly anything landed is never in the score; it is read beside it, register by register and for three kinds of sacred object.
Measures the social and symbolic capital you carry into political life — the people you can reach, by what they do and in which country, and the standing others concede to you, counted as the things they asked of you last year. Bourdieu treated both as a substrate for judgement rather than as economics.
Social Capital is measured with the Position Generator (Lin and Dumin 1986; Lin 2001): twelve occupations spanning the ladder, each asked for the country you live in, and for Iran too when Iran is part of your life and you live elsewhere, with how you know the person. Reach is the highest position you can get to, Range the spread, Bridging the share you reach through acquaintances rather than family or friends. Symbolic Capital is counted rather than claimed: five kinds of event that other people initiate — being asked to speak for a group, to sit on a panel, to be interviewed, to mentor, to be consulted — over the last twelve months. The generalised-trust item of the World Values Survey stays.
Asks what you take in — news, music, film and television, fine art, books, sport, games, podcasts and channels — one element at a time, on a general or a Persian-language track. Genres first, a few minutes. Come back and the same element asks about subgenres, then about specific names, where it has them.
Media Diet covers recognition and trust across outlets, plus consumption habits like source-checking and headline-only skimming, and three questions about the channel itself — whether news arrives in a feed you did not go looking for, whether you can name the outlet a story came from, and whether you go to a source directly when something matters. Which outlets you are shown depends on the track: the General track divides 24 outlets into center, left and right by published content ratings and audience composition, and the Iran track divides 26 Iranian and Persian-language sources into state-run, licensed domestic and from abroad — by who owns and licenses them, because no bias chart rates Persian-language media and a placement will not be invented for one. Both are three registers, so the breadth number means the same thing on either track. Music and film are asked as genres first; one music reading, Reflective Taste, is scored against the strongest replicated finding in that literature, and film is not, because the structure that scoring would need is one of media taste as a whole — Rentfrow, Goldberg & Zilca (2011) derived it across music, film, television and books together, and Xu & Peterson (2017) carried it into politics as media preference — and neither describes any film genre on its own. Every element but Media also feeds one further reading, Bandwidth: the share of each genre bank you claimed and did not dislike, averaged over the elements you have sat. It is Peterson & Kern’s omnivore count divided by the size of the list it was counted over, and it is read once you have sat at least two elements.
Ideological Attitudes & Values
Value systems built on disposition
Measures the moral priorities that anchor your value system.
Measures deference to established authority, punitiveness toward those who challenge it, and adherence to conventional norms — twice, and deliberately not the same way. Ten items ask it in the vocabulary the scale was written in, and four ask it with no political or religious words in the question at all.
Six of the ten scale items name church, God’s laws, sinfulness, atheists or homosexuals. For a reader who rejects the Islamic Republic those six can be rejected for what they sound like rather than for what they ask, which would read as low authoritarianism and would be wrong. So four forced choices between qualities in a child run beside them — independence or respect for elders, curiosity or good manners, obedience or self-reliance, being considerate or well behaved — carrying no political or religious content at all. Neither reading replaces the other, and where the two disagree, the disagreement is the result.
Measures your general preference for group-based hierarchy and inequality versus equality among social groups.
Measures your orientation toward existing institutions and social arrangements.
Ideological Expressions
Observable political expression
Measures where you place yourself on the political spectrum and how strongly you hold that identification — the model’s most direct observable expression of everything upstream — alongside two questions about religion, which several relationships elsewhere on the map may turn out to be.
Two of the five dimensions of a published religiosity scale, and deliberately not the other three. Attendance and practice are suppressed in exile for reasons that have nothing to do with belief, so asking about them here would measure politics and call it religion.
Measures how much confidence you place in political, legal, international, and press institutions — the model’s most direct read on where your upstream values land as trust or suspicion — and, separately, whether a conspiracy mentality sits underneath all four of them.
The Media register includes a hostile-media-effect item, testing whether unfavorable coverage of your own side still reads as fair to you.
Tests how you place the past — undated passages from the press and the public record put in the window they were written in, with their arguments rated before anything is revealed — alongside how you react to the historical and political figures of the same years.
A sitting is six undated, unsigned passages — two arguments, two neutral passages of news or notice, two voices of the state — placed in their window and rated for agreement and for how far the way they argue moves you; two pairs of passages, each asked whether its two were written within ten years of each other; on the Iran track two facts of the period and the papers’ names rated for trust; and the figures, named and nothing else. The Iran track draws from 195 passages across six windows, the general track from 495 across eight. Nothing is dated or signed until the shelf at the end, where every passage sits in the cell your pick made. The readings — Dating, Lateness, Argument pull, Dissociation, Discrimination, Reach across camps, The paper’s cue, Restoration lean, Era discrimination, Recurrence, and Period knowledge — are computed on every sitting you have taken on a track, pooled, and each deletes itself under its own floor rather than half-computing; Figure Sentiment is read from the names you said you recognised.
Measures which political and moral rhetoric actually lands with you — a behavioral signal read from reaction, not a stated belief.
Almost every line stays unattributed; a small rotating subset occasionally carries a name to measure how much that alone moves you. The bank is the two curated banks the invitation deals: 220 lines of American political speech on the general track, and 449 lines of political speech in Iran on the Iran track, shown in Persian with the English under them — each line read against its source and kept on one side of one of sixteen measures the two tracks share — Liberty, Equality, Order, Solidarity, Coercion, Retribution, Religion in rule, Purity of the body, Purity of the community, Dominance, Anti-egalitarianism, The hidden hand, Legitimacy of the order, One’s own place, Sincerity, and Fatalism — or, on the Iran track, of The crown. Every measure but one carries lines pointing both ways (Sincerity on the general track has lines on one side only, which the keying waivers below say), and the longer sitting draws one of each, so that agreeing with statements in general cannot masquerade as holding a position. Because the bank is written rather than adopted, it is also the only place here that can reach what the validated instruments structurally cannot: Coercion samples rhetoric endorsing force against opponents from left and right alike, which is the blind spot a right-coded authoritarianism scale leaves open.
How the layers connect
Every module is also plotted against every other on a relationship map you can open. An arrowhead marks a hypothesized directional pathway — one layer plausibly shaping another. A plain line marks an empirical association: two modules that correlate without a claimed direction of cause. Line weight tracks strength, from a weak association to a strong one. Direction sits on the arrowhead rather than on the line style because that is where every convention this map could be read against puts it — path diagrams, causal graphs, and the psychological-network literature alike — and in that last one a dashed edge instead means a negative relationship.
Open the model →The Field, at the size of a sample →How each plate counts →
The two instruments built here
Ten of the fourteen rest on published scales. Two were written for this project with nothing published behind them, and because both show you quotations they get taken for two versions of the same test. They are close to opposites. One hides the name to find out what the words do to you; the other varies the name to find out what the name does.
- Shows you
- Lines of political speech from the two curated banks — 449 from a century of it in Iran, shown in Persian with the English under them, and 220 from two and a half centuries of it in the United States — almost always with no name attached.
- Reads
- Your reaction. Not whether you agree — whether it lands.
- Returns
- Sixteen measures on both tracks: Liberty, Equality, Order, Solidarity, Coercion, Retribution, Religion in rule, Purity of the body, Purity of the community, Dominance, Anti-egalitarianism, The hidden hand, Legitimacy of the order, One’s own place, Sincerity, and Fatalism; on the Iran track also The crown.
- Shows you
- A sitting of the press bank — six undated, unsigned passages from the press and the public record (195 on the Iran track, 495 on the general) placed in the window they were written in, with two pairs of passages, each asked whether its two were written within ten years of each other, and, on the Iran track, the period’s facts and the papers’ names — plus a roster of named figures.
- Reads
- Where you put the past and which way you err, what moves you in an argument before you know whose it is, and what you already know and feel about the people of the same years.
- Returns
- Dating, Lateness, Argument pull, Dissociation, Discrimination, Reach across camps, The paper’s cue, Restoration lean (Present lean on the general track), Era discrimination, Recurrence, and Period knowledge, and Figure Sentiment.
The part that is backwards from its name
You would assume the instrument called Historical Attribution owns the attribution effect. It does not, and the difference decides what either one can honestly claim.
Quote Resonance owns the clean comparison. Same words, same person, one thing varied. It is the only measurement here a reader cannot answer back — both ratings are theirs, the words never changed, and nothing was hidden except the name. It is also the only one that cannot be produced in a single visit by anyone, at any length.
Historical Attribution asks a different question. Since October 2026 it shows no name on a passage at all. Its passages come without their dates or their papers, you place each in a window and rate its argument, and the dates appear only on the shelf at the end; what it reads is where you put the past and which way you err, and how an argument moves you before you know whose it is. A reaction to a passage still has no opposite pole, so a habit of agreeing with things goes uncorrected there, as it does in the figures pass and as it did in the quote pools it replaced. Cultural Capital’s image task shares the mechanic and since October 2026 steps out of the problem: its score is no longer how warmly the plates landed but what the reader could say they were and how they looked at them, and a habit of agreeing cannot raise a score that is not a rating. Warmth is still read beside it, and there 20 of its 156 objects are subjects Bourdieu found ran the other way, so agreeing with those cancels rather than accumulates. Nothing equivalent exists for a reaction to a person.
What each one is there to reach
Neither exists to duplicate a published scale. Each was written at a specific hole in what the ten instruments built on published scales can see.
Authoritarianism arriving from the left
The standard scale measures deference to established authority, which is a right-leaning shape by construction. Aggression against authority in the name of justice is a different motion and does not register.
The Coercion measure samples rhetoric endorsing force against opponents from left and right alike.
Agreeing with sentences
Most of the battery asks you to agree or disagree with statements about yourself. Someone agreeable drifts upward on all of them at once, and nothing in the result separates manners from belief.
Reaction rather than self-description, and every measure but one carries lines pointing both ways (Sincerity on the general track has lines on one side only, which the keying waivers below say), and the longer sitting draws one of each, so that agreeing with statements in general cannot masquerade as holding a position.
Anything that needs you twice
Every validated scale here is complete in one pass. Nothing in them can measure a change in you, or a difference between two versions of the same question.
The rotation only produces its number on a second sitting, which is the one thing here that cannot be manufactured in a single visit.
What you actually recognise
Cultural capital measured by self-report asks you to rate your own cultivation, which is the question people answer least honestly. The image task avoids the self-report but not the response style underneath it: with no opposite pole to react against, a habit of agreeing passes straight through the average.
Since September 2026 Cultural Capital asks what each new plate is and scores the answer right or wrong; Historical Attribution’s figure recognition sits beside it as a second way of knowing.
Whether repression belongs to one era
On the Iran track, undated passages of the state’s own voice placed blind in one of six windows across 1979, with an honest “could be any of them” option.
Era discrimination reads whether the state before 1979 can be told from the state after it by its voice alone, and Restoration lean reads which way the misplacements fall — whether censorship and dissent get recognised as things both the monarchy and the Islamic Republic did, or get pinned onto one. Both stay off the account record.
Who you have warmth for
No published scale in this battery asks how you feel about specific historical people, and the answer is not reconstructable from any of them.
Figure Sentiment, read across a roster spanning traditions rather than sides — reported as a level, with the caveat that not recognising a name says nothing about the figure.
What neither of them can do
Stated here rather than left for a reader to find.
| Limit | Which one | Why it matters |
|---|---|---|
| Never validated by anyone | both | No reliability figure, no calibration sample, no published check that either measures what it claims. |
| Resonance is not endorsement | Quote Resonance | A line can land because it is well made, or familiar, or because you have argued against it for years. |
| Someone chose the bank | Quote Resonance | Nothing can move you that is not in it, so a flat sitting may say more about the bank than about you — which is why a flat sitting is reported as flat rather than dressed up as a profile. |
| Cannot exist after one sitting | Quote Resonance | The source comparison needs the same quote seen twice. The screen says so rather than showing a number built from one. |
| Agreeing goes uncorrected | Historical Attribution | Historical Attribution’s argument readings are reactions to passages, and a reaction has no opposite pole, so there is no reverse-keyed version to write and nothing cancels a habit of rating everything warmly; the dating readings are right or wrong against the page and do not share the problem. Quote Resonance is not in this row: every measure but one carries lines pointing both ways (Sincerity on the general track has lines on one side only, which the keying waivers below say). Cultural Capital left this row in October 2026: its score is competence — what was decoded and which word was reached for — and a habit of agreeing cannot move it; its warmth readings, which a habit can move, are read beside the score and never in it. |
| Levels depend on recognition | Historical Attribution | Figure Sentiment depends on knowing the figure. Not recognising a name tells you nothing about them, and something only about the reader. |
| Someone chose the register too | Cultural Capital | 156 objects across eight registers in two worlds. Six pieces that shipped labelled folk turned out to be court and ecclesiastical art and were relabelled, which emptied that register rather than filling it; eleven genuinely vernacular objects then filled it, four of them European or Euro-American, which the bank had never held at all. Pop is empty and likely to stay so — a thing is popular because it is in mass circulation now, and copyright is the shadow of exactly that, so a public-domain pop register would be a history-of-pop register instead. Which register a piece belongs to remains somebody’s judgement about it rather than a property of the object. |
| Assumes familiarity | Historical Attribution | Each track assumes a background: the windows of Iran’s last half-century on one, the American press from the Liberator to the present on the other. |
| Reads at its floor on a first sitting | Historical Attribution | Dating is read on six placements a sitting, which is exactly the floor the rule allows, so a first sitting reads and a reading sharpens only as sittings pool; the readings on the hinge need four voices of the state on each side and delete themselves until then. |
Scoring and interpretation
Every response is normalized to a 0–100 dimension score. The narrative synthesis you see is produced by a deterministic, rule-based engine reading those scores — not a clinical model, and not a diagnostic instrument. How scores earn a place in that model, in detail →
The ± beside every score
It is how far the number could reasonably sit either side of where it landed — roughly, how much it would move if the same questions were asked again. Two things widen it. Asking fewer questions widens it, because less was asked. And your own answers disagreeing with each other widens it more: two items on the same trait answered 1 and 5 average to a 3, but that 3 is holding together a contradiction rather than describing a position, and the margin says so.
So two scores reading 50 can carry very different margins, and the difference is the useful part. A 50 that came from two answers of 3 is a person who is genuinely level on that trait. A 50 from a 1 and a 5 is not a reading yet.
What a retake does
For most of the battery, taking a survey again replaces the old reading with the new one: the questions are the same every time, so the second answer is simply the better-informed one.
Two of them do not work that way. Quote Resonance and Historical Attribution draw a fresh handful from a much larger bank each sitting, so a second attempt is not a re-answer of the first — it is a different sample of the same thing. Replacing would throw away real answers and let a short second sitting overwrite a longer first one. So those two pool instead: every item you have ever answered on a trait is averaged together, which is why their margins narrow as you come back rather than resetting. It is also the mechanism behind the one measurement here that cannot exist after a single visit — a rotated quote returning under a different name has to be matched against what you said the first time.
The three instruments lifted out of Cultural & Social Capital in September 2026 are a third case, and the split made the distinction cleaner rather than blurring it. Social & Symbolic Capital asks the same twelve occupations, five kinds of event and one trust question every time, so it replaces. Media & Taste is written habit questions that replace, sitting beside outlet, music and film banks that are drawn fresh, so it does both. Cultural Capital is museum images and nothing else, so it pools entirely. Plates are drawn unseen-first, six on a first sitting, nine on a second and twelve after, and from the second sitting a third of them return, most under the museum’s or archive’s label; the score reads first showings only, so the evidence behind it grows six, twelve, twenty.
Media & Taste also changes shape as you return, by design rather than by running dry. Its taste elements are chosen at a door, one element and one world per sitting, and a return moves down a rung rather than back through the same list: the subgenres of what you claimed, then the names under those. Two readings are scored from those lists — Reflective Taste from the music genres, and Bandwidth from the share of each Surface list you kept, read once you have sat at least two elements — and everything else is drawn back to you as a profile. Its news-outlet pass is asked twice on each track, because half of the Media Diet reading is built from it and a number read only once cannot move. Each pass that retires hands its time to the passes that remain, which is why a return sitting is shorter than the first. On a return visit you can also choose to skip the written questions entirely, in which case the reading built on them holds exactly what it already said rather than being recomputed from half its inputs. Nothing is lost either way; a full sitting is simply the only one that can see whether you have moved.
What it is not: it says nothing about how unusual you are — there is no comparison group here to be unusual against. And it is kept separate from how much a score has changed between sittings, which is shown on its own. A wide margin means the reading is imprecise; a score that moved means you moved, and collapsing the two would make both unreadable.
Checking the model against published work
Any two of the 41 traits can be searched against OpenAlex, live, from inside the app — how much is published on each construct alone, and on the pair. Three numbers rather than one, because a joint count means nothing without the marginals to read it against. A pairing worth returning to can be kept on The Bench, which ranks what you keep by how little exists on it, shows whether your own two scores run with or against the direction the model predicts, and — where no study joins the two directly — names the third construct they both connect through. It will also measure how far the count moves when the search phrasing is loosened, because a count is the output of a query before it is a fact about a field, and that query is a judgement call sitting inside a number.
How scores earn a place in the model
Four checks a metric passes through, in order — from whether it qualifies at all to whether it holds up for you specifically.
A metric only feeds your Unified Profile once it clears a real bar: at least 4 questions behind a straightforward score, or at least 8 questions plus proof that retaking the survey gives roughly the same answer (a test–retest reliability of 0.7 or better) for a “rate” metric — one built from how often you do something, rather than a direct score. Register Breadth, Decoding, Judgement, Label cue, Sacred warmth (all kinds), Sacred warmth, Royal warmth, National warmth, Recognition Rate, and Source Sensitivity haven’t cleared that bar yet — each still shows up on its own survey’s results screen, read beside the score, but none count toward your scored profile until they do. A second group is disclosure-only by design, not by a bar it hasn’t cleared: Media Diet’s over-claim rate, Historical Attribution’s shelf, and the taste maps Media & Taste draws for each of its elements all show real, honestly labeled results that stay diagnostic permanently, on purpose — data we chose not to fold into a score, not data that fell short of the bar. Two readings from those lists are the exceptions and are scored: Reflective Taste, from the four music genres whose factor carries the best-replicated personality correlate in the taste literature, and Bandwidth, the share of each Surface genre list you kept, read only once you have sat at least two elements because who comes out broad depends on which genres were listed. The standing portrait under the maps — what you disliked among the canon, the popular and the dismissed — is drawn and never scored.
These are the two labels the app itself puts on a relationship, and you will see them on every edge panel. Published association means a named study backs it, with a DOI you can open — not a guess. This project’s hypothesis means a reasoned but untested link the app is tracking, not a settled claim. Neither is calculated from this app’s own users: there aren’t nearly enough of them yet to run that kind of analysis honestly, so the app doesn’t pretend to.
As it stands the map holds 31 relationships, of which 12 are published associations and 19 are this project’s own hypotheses. All 12 of the associations name a source, and a build script fails the whole site if one ever stops doing so. Another 6 of the hypotheses also name a study — usually one describing the effect the link is reaching for, or, in one case, the study the link used to cite before it was moved down.
That ratio is the result of checking rather than of intent. Several links that read as empirical turned out not to be, most often because an instrument built for this project sits at one end — no published work can be about an instrument that did not exist until it was written here, so calling the link empirical was borrowing authority that does not exist. Those moved down. The counts above are read out of the model itself each time this page is built, so they cannot drift away from it.
A label is not a magnitude, and until this pass the difference did not matter because nothing used one. Checking a relationship against a person needs to know how strong it is: a claim that two things correlate at .25 predicts almost nothing about any one individual, and the same claim at .85 predicts a great deal. The check this app ran used neither. It treated every relationship as if it were perfect — as if your score on one side should equal your score on the other — so a person whose two numbers differed by more than forty points was recorded as running against the finding, whatever the finding actually claimed. That window is wide enough that about ninety-four in a hundred unrelated pairs clear it, which means the relationships that held were never evidence of anything.
What replaced it is a floor rather than a refusal. Agreement here is a hundred minus the distance between your two scores, and that number cannot be low: two of your own scores with no relationship between them still land close together if your answers sit near the middle of their scales. So every verdict is now reported against the figure two unrelated scores of yours would reach on their own — your figure, computed from your answers, not a constant somebody chose.
That is a smaller claim than it sounds, and the smallness is the point. None of the 31 relationships carries a published correlation yet, so none of these verdicts is a test of a finding. What you are shown is how far your two scores sit from each other, against how far two of your scores would sit if nothing connected them. Finding the number a study actually reported, and recording it beside the citation, is what would turn one of these into a test — one at a time. That count is read out of the model on every build.
One more thing about those questions, and it is the kind of problem that only shows up when you read an instrument instead of searching it. Twenty-eight of the sixty-seven questions in four of the assessments describe a country without naming one — a parliament, a legal system, a police force, a press, or simply “the way society is arranged.” Ten of them say “my country”, “our country”, “my society” or “our society” outright. The other eighteen name an institution — the government, the courts, the press — and leave the rest to you.
For most surveys that is harmless, because everybody answering lives in the same place. Here it is not. Two people who agree completely about Iran will answer “I trust the parliament in my country” in opposite directions if one of them lives in Tehran and the other in Toronto, and putting those two answers side by side produces a comparison between two countries rather than between two people. Nothing about it can be repaired later either, because nobody can be asked afterwards which country they had in mind while answering.
So the assessment asks, once, before the first of those four, and records what you said. It is kept as an answer rather than used and discarded, because which country a person means by “my country” is a real thing to know about them and nothing else here asks it. Both and neither are on the list, and they are answers rather than refusals: somebody who reads half the questions about one country and half about another has described their situation accurately, and a design that forced them to pick one would be recording something that never happened.
There is a question underneath all of this that the app cannot yet answer about itself: how much of any score is you, and how much is the measurement. An instrument that gives the same person a noticeably different answer on a second sitting is measuring something, but not only you — and until that is known, every relationship checked through it is limited by it. Two instruments that are each three-quarters signal cannot show more than three-quarters of whatever relationship really holds between them, however many people eventually answer.
Nothing in this app computed that until recently, and the first attempt at it, run against the one long record that exists here, was not reassuring: three of the readings Historical Attribution produced then moved far enough between sittings that no plausible spread across different people would make them stable. Those readings are gone with the quotation pools they were read from. On the same record sat again in October 2026 on the press sitting, the readings that pool placements settle within a point or two of themselves once they exist at all, while the one read on eight names a sitting still wanders, and the measures of Quote Resonance, each read on one line a sitting (two in the longer sitting), move more between sittings than the pooled readings do — the sampler, not the person. That is one record and one record is not a sample, so it settles nothing about anybody else — but a reading that wanders that far for one person does not become steady because more people arrive, and it is better to know before asking them than after.
Take one real link the model checks: higher Openness tends to pair with weighing Care and Fairness more heavily than Loyalty, Authority, and Sanctity. If your two scores land inside that band, they agree — one point toward a high Coherence percentage. Outside it, that’s one mismatch. Response Coherence tallies this across every relationship where you’ve completed both surveys. It’s not a measure of how “right” or typical your politics are — a low score more often points to rushed answering than to anything wrong with your views.
Two things had to be fixed before that number meant anything, and both were cases of a careless or empty sitting scoring higher than a real one. Half the items in this battery are keyed backwards, so tapping the same box down the whole screen does not produce an extreme profile — it produces almost every trait at 50. Each check then compared 50 against an expected 50, found them nothing apart, and awarded full agreement. The most careless sitting possible was returning the best model fit on the site. Those sittings are now flagged as they happen and left out of the check entirely.
That closed the careless case and left the honest one open, because the arithmetic does not care why a score is 50. Anyone whose answers genuinely sit near the middle produces small distances everywhere and scores near the top — and they have not been predicted well, they have been predicted vacuously. Nothing was risked, so nothing was confirmed. That is not a reason to penalise them: consistently mid-scale is a real answer and is treated as one everywhere else here. It is a reason to say what the number is worth. So the model also tracks how far the scores being checked actually sit from the middle, and where that is small the screen says the fit is uninformative instead of quietly reporting a high one.
Dana and Sam hold the same views — both moved by order rhetoric, neither by equality rhetoric. Dana answers honestly; Sam nudges everything up, because Sam tends to agree with statements. Read straight off, Sam looks like someone stirred by egalitarian language. If every statement in a scale points the same way, nothing in the output can separate the two — which is the most cited flaw in the best-known political compass test, where right-coded items outnumber left-coded ones and agreeable respondents drift rightward as an artifact of item writing. The correction is items pointing both ways, so a habit of agreeing cancels rather than accumulates. A build script checks every scored trait for this and the build fails if any is one-directional, apart from three whole instruments and six single traits that are exempt with a reason rather than forced into symmetry. Every one is listed here, because an exemption nobody can see reads exactly like a trait that passed.
- Affect (PANAS), the whole instrument. Positive and negative feeling are two separate published lists, each pointing one way, and that is the instrument. Scoring high on both at once is itself the mark of agreeing with everything, so here the habit is detected rather than hidden.
- Historical Attribution, the whole instrument. The one that costs something. Its argument readings are reactions to passages — how far you agree with a passage’s point, whether the way it argues moves you — and a reaction has no opposite pole the way a statement of position does, so there is nothing to point the other way and a habit of agreeing goes uncorrected there, as it does in the figures pass. Its dating readings are right or wrong against the page and do not share the problem; the comparison that would correct a reaction lives in Quote Resonance, where the same line returns under a different name.
- Social & Symbolic Capital, the whole instrument. Its questions count things rather than ask for agreement: whether you know someone in each of twelve occupations where you live and, when Iran is part of your life, in Iran, and how often in the last year others asked something of you. A count has no statement to point the other way, so there is nothing to reverse; the one agreement item left, generalised trust, is read on its own.
- Sincerity, in Quote Resonance. On the general track the lines about plain truth all point one way for now: the American bank holds one line against it and none for it. Its whole-bank page says so, and a line for it will come from the bank’s own review rather than be written here to balance the count.
- Industriousness, in Big Five Personality. All four published questions point the same way, so a habit of agreeing reads as lower Industriousness, and the gap between it and Orderliness, the other half of Conscientiousness, can be a fact about how you answer. Writing one pointing the other way would change a question list reproduced word for word; the instrument’s own limitation says so.
- Contamination-Based Disgust, in Disgust Sensitivity. The Disgust Scale keeps the reverse-scoring its authors published, and its contamination questions have none. Adding one would change the published instrument.
- Child-Rearing Authoritarianism, in Right-Wing Authoritarianism. Not agreement questions at all. Each asks you to choose between two qualities in a child, one deferential and one autonomous, so there is nothing to agree with: the balance is inside each question rather than spread across four.
- Religiosity, in Political Identification. Two questions, both pointing one way. A third written only to balance them would turn a two-question reading into a scale of this project’s own. It is used as a check on other numbers and never reported as a finding about you.
- Conspiracy Mentality, in Institutional Trust. All five published questions are worded the same way and none exists that points the other, so a habit of agreeing reads as a stronger conspiracy mentality. Writing one would change a questionnaire reproduced word for word; the instrument’s own limitation says so.
Instruments & sources
Every published DOI below was resolved against OpenAlex rather than written from memory, and each is a link to the primary source. Where an instrument was written for this project instead of drawn from the literature, it says so — that distinction is the point of listing them together.
Big Five Personality
Big Five Aspect Scales (BFAS-40 short form)
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Two limits worth knowing before you read the aspect scores. The first is about one aspect in particular: all four Industriousness questions are written so that agreeing means scoring lower, because the published item table has no question pointing the other way. Everywhere else in this battery, a habit of agreeing with statements partly cancels itself out. Here it does the opposite — it accumulates, and downward. Somebody who tends to agree with whatever is on screen will read low on Industriousness and slightly high on Orderliness, and those two are the halves of Conscientiousness, so the gap between them can be a fact about how you answer rather than about you. The averaged Conscientiousness score is the more trustworthy of the three numbers for that reason, which is the reverse of the usual advice here. Second: five factors, not six. The HEXACO model adds Honesty-Humility — sincerity, fairness, absence of entitlement and of a willingness to exploit — and it is not recoverable from any combination of the Big Five. Whatever it would have contributed is simply absent here rather than distributed among the other five.
Affect (PANAS)
Positive and Negative Affect Schedule (PANAS)
- 01
PANAS resolves emotion into two factors, positive and negative, and the politically decisive distinction sits inside the negative one. Anger and anxiety both load on Negative Affect while pulling in opposite directions: anger predicts risk-seeking, mobilisation, punitive policy preference and searching for confirmation of what you already believe, where anxiety predicts attention to opposing arguments, information-seeking and conciliatory preferences. A single Negative Affect score averages those two together and can report the same number for people who behave nothing alike. That was the whole limitation here until September 2026, and it is now half closed. Fear is read from four of the ten negative adjectives — scared, nervous, jittery, afraid — and anger from two more, hostile and irritable, so the two are scored apart as well as together and the composite is unchanged. It cost nobody an extra question, because the answers were already being collected and only ever averaged. What remains is that two items is a thin reading of anger and four a thin reading of fear, and neither is a dispositional anger scale built for the purpose; they are a second look at a mood measure. Where the two subscales disagree, that disagreement is the more informative number, and where a reader has answered too few items for either to be stable the report says so rather than showing a difference that is noise.
Disgust Sensitivity
Disgust Scale — Revised (DS-R)
- 01
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The DS-R splits disgust into core, animal-reminder and contamination domains. The politically load-bearing split in the newer literature is a different one — Tybur, Lieberman & Griskevicius (2009, JPSP) separate pathogen, sexual and moral disgust, and it is sexual disgust that carries most of the association with social conservatism. The DS-R’s domains cut across that boundary rather than isolating it, so a disgust score here should not be read as the disgust-and-politics finding people have usually heard about.
Cultural Capital
Cultural Capital
- 01La Distinction: Critique sociale du jugementBourdieu · 1979 · Éditions de MinuitNo DOI — book or unindexed source
- 02
The score says whether you knew what you were looking at and how you looked at it, and nothing about whether you liked it; warmth is reported beside it, with the readings that can tell an eye from an agreeable hand — register by register, the three kinds of sacred object against the plain ones, and how far the label moved you. Those readings need sittings to accumulate and print “not yet” until they have them. Two of the decoding answers that count as knowing are a period and a place as a museum records them, so a reader who knows objects by another grain can be scored as not knowing. Which register a piece belongs to remains somebody’s judgement about it rather than a property of the object; pop stays empty, because a thing is popular by being in mass circulation now, and copyright is the legal shadow of exactly that. The decoding question has four answers and one of them is right, so a guess is right a quarter of the time; that floor is printed beside your share.
Social & Symbolic Capital
Social & Symbolic Capital
- 01Bowling Alone: The Collapse and Revival of American CommunityPutnam · 2000 · Simon & SchusterNo DOI — book or unindexed source
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Both halves are still what you report, but they are reports of countable things — a person you know, an invitation you got — rather than ratings of your own worth, so the modest and the unrecognised no longer answer alike. The occupation list is short and the prestige scores behind it are international averages, not Iranian or local ones. Twelve occupations, asked twice only when you live outside Iran with Iran in your life, is a small window on a network.
Media & Taste
Media Diet, Reflective Taste and Bandwidth
- 01
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- 07
Reflective Taste is the one music reading that carries a number, and three things bound it. All four Reflective & Complex genres are asked so it is never computed from a two-item slice, and at least three must carry a real rating or it is not scored at all — somebody who listens to no reflective music is unmeasured here rather than low. It is read from a Music sitting at Surface, where the four genres are asked, and a retake there replaces it rather than widening it. And it is one factor of four: the other three, and every named artist and title, stay disclosed and unscored. Bandwidth has a limit of its own kind: it counts what you claimed against the list you were offered, and the list is this project’s own. Warde, Wright and Gayo-Cal showed that who comes out an omnivore depends on which genres were listed, so the number is honest about the bank it came from and says nothing about the genres that were not on it. Two limits sit on the news half as well. On the Iran track there is no over-claiming check, because that check needs outlet names that are provably invented and Iranian licensed press runs to hundreds of provincial papers built from exactly the words a plausible invented name would use — a name that turned out to be real would not weaken the check but reverse it, scoring a reader as over-claiming for correctly recognising their own local paper. And the breadth half assumes you know which register you just read, which is a larger assumption than it sounds: Pew followed people through a week of their real news reading and found they could name the outlet 56 per cent of the time, 52 per cent when the link came from social media. Three questions now ask about that directly, and where somebody cannot name their sources, a number about trusting across registers is measuring something they are not doing. The registers themselves rest on two different kinds of evidence — most on published content ratings, eight on Pew audience composition — and those can come apart: the New York Post is rated Right for what it publishes, and Pew grouped its audience as mixed.
Moral Foundations
Moral foundations battery, written for this project
Theory only, questions written here
Built for this project. The five foundations are Graham and Haidt’s; the twenty questions are not theirs. The published MFQ is thirty items asked in two halves that use different answer scales — one asks how relevant a consideration is, the other how much you agree with a statement — plus two throwaway items that catch people who are not reading. This asks twenty items on a single agreement scale. It also leaves out the items that do most of the separating in the published research: inherited wealth, chastity, sex roles, soldiers. Read it as five original scales aimed at a published theory’s constructs, with no reliability or validity data behind them. It carried this scale’s name and citation until August 2026, which was wrong, and the label was corrected rather than the bank.
- 01
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Two limits, and the first is about this instrument rather than the theory. These twenty questions are not the Moral Foundations Questionnaire. They were written for this project to measure the five foundations Graham and Haidt describe, and nobody has ever checked whether they succeed — so the five numbers carry the theory’s authority and none of the instrument’s. Second, the five foundations do not cover the ground. Iyer, Koleva, Graham, Ditto & Haidt (2012, PLoS ONE) found that concerns about liberty are likely a moral intuition the theory had not measured, and libertarians scored highest on both kinds of liberty they asked about. Without it, someone whose morality is organised around non-interference reads on this scale as low on everything, which is a fact about the instrument and not about them. Quote Resonance carries a Liberty trait that reaches some of the same ground behaviourally, by measuring which rhetoric about freedom actually lands; that is a different kind of evidence from a moral-foundations score and not a substitute for the missing subscale.
Right-Wing Authoritarianism
Right-Wing Authoritarianism, short form
- 01The Authoritarian SpecterAltemeyer · 1996 · Harvard University PressThe items asked here are Altemeyer’s own ten-item short form, reproduced verbatim and in published order. This citation is listed first because it is the instrument; the entry below is a different short form, listed for comparison. Until August 2026 the order was reversed, so the credit line named Zakrisson over Altemeyer’s items.
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Two limits, and they are different in kind. The first is that RWA is a right-coded instrument by construction: it measures deference to established authority, so aggression against authority in the name of justice is a different motion that it cannot register. That is a structural gap in the battery, not a finding about you, and it is not fixable by adding items to RWA. The second is about the words the questions use. Six of the ten name church, God’s laws, sinfulness, atheists or homosexuals, and for a reader who rejects the Islamic Republic those six can be rejected for what they sound like rather than for what they ask — which would read as low deference and would be wrong, in exactly the group this project is most interested in. Four forced choices between qualities in a child now run beside them, carrying no political or religious content at all, and neither reading replaces the other. If your two readings disagree, that is not an error to resolve: it is the clearest thing this instrument can tell you, and what it says is about the scale rather than about you. Quote Resonance now carries a Coercion trait aimed at the gap — resonance with the claim that force against opponents is warranted, sampled from both directions — but that is this project’s own unvalidated measure, not a substitute for a validated left-wing authoritarianism scale (see Costello et al. 2022 for what one looks like).
Social Dominance Orientation
Social Dominance Orientation scale (16 items)
- 01
SDO is about hierarchy between groups, not dominance between people, and a person can be forceful in every personal dealing while scoring low here. The scale also collapses two subdimensions that Ho et al. (2015, JPSP) separate — support for active group-based dominance, and opposition to equality — which relate differently to policy preference. A single SDO number averages them.
System Justification
Institutional legitimacy battery, written for this project
Theory only, questions written here
Built for this project. The construct is Kay and Jost’s; the twelve questions and the three groupings are not. Their General System Justification Scale is eight items answered on a nine-point scale, producing a single score with no subscales. This asks twelve on a five-point scale and reports three. Three of the twelve are recognisable rewrites of published items — one of them, “Most policies serve the greater good”, gained the words “even flawed ones” here, which changes what it asks. The rest were written for this project. It carried this scale’s name and citation until August 2026, which was wrong, and the label was corrected rather than the bank.
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Three separate numbers come off this, and the split between them is this project’s own. Kay and Jost’s scale produces one score and has never been shown to divide into these three, so a gap between your Fairness Perception and your Resistance to Change is not a finding about you — nothing has established that those are two different things to be. Read the three as one reading looked at from three angles rather than three readings to compare. Beyond that: system justification is measured as agreement with statements about how fair the existing order is, which does not separate believing the system is just from being satisfied with your own place in it. The two come apart most in exactly the people most worth distinguishing.
Political Identification
Two-axis political placement + partisan strength
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Left and right do not mean the same thing in every country, and self-placement on that axis is comparable only within a shared political context. For a respondent reading the Iran track this is not a technicality: the axis those words describe in Iranian politics is not the axis they describe in American politics, and a number on this scale carries whichever one the respondent had in mind. Nothing here can tell which. Two questions about religion sit here as well, and what they are for is worth saying plainly: several relationships this model draws elsewhere — between disgust, sanctity, deference to authority and belief that the existing order is fair — could turn out to be religion appearing four times under four names, and without asking, that cannot be told apart from four separate findings. They ask what you think about and what you believe, and deliberately not whether you attend anything. In a diaspora, attendance is suppressed for reasons that have nothing to do with belief, so an attendance question would have measured politics and called it religion — the same failure these two exist to detect. Two questions are a thin reading, and they are used to check other numbers rather than reported as a finding about you.
Institutional Trust
Institutional trust battery, adapted from the European Social Survey
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Stated confidence in institutions moves with events and with question wording, more than most attitudes do. A reading taken during a scandal, an election or a war is a reading of that moment as much as of the person, and this instrument has no way to date-stamp what it caught. There is also a question underneath the four registers rather than beside them: whether they are four readings or one. Five questions about whether important things are kept from the public are asked here for that reason — if they move together with all four registers, then low trust in parliament, courts, international bodies and the press is one disposition rather than four findings. Those five are all worded the same direction, so somebody who agrees with statements generally will read high on them; that pulls this reading and the four registers the same way at once, which weakens the comparison rather than inventing one.
Historical Attribution
Historical Attribution
Written for this project — no published validation behind it
Built for this project — not a validated academic scale. The passages are read against their pages in the archives and the facts against their records, but the instrument itself has no published reliability or validity data behind it. Read it as a behavioural probe, not a measurement.
This bank is written for this project and has never been validated by anyone. Dating is a measure of a reader against pages they have not seen, and it is read on six placements a sitting, so a first sitting reads at the floor of what the rule allows and the readings sharpen only as sittings pool. Lateness and the two readings on the hinge are directions of error, not verdicts: a reader who dates everything right has no lean, and so does one who errs equally both ways. The paper’s cue needs a passage rated twice, once bare and once with its paper shown, and it says nothing until a sitting has done that. The figures are a roster someone chose, and recognising few of them is a real answer rather than a low score.
Quote Resonance
Quote Resonance
Written for this project — no published validation behind it
Built for this project — not a validated academic scale. Every item is a real, documented line verified against a primary or secondary source, but the instrument itself has no published reliability or validity data behind it. Read it as a behavioural probe, not a measurement.
This bank is written for this project and has never been validated by anyone. Three things follow. Resonance is not endorsement — a line can land because it is well made, or familiar, or because you have argued against it for years. The bank is a selection, and someone chose it: nothing can move you that is not in it, so a flat result may say more about the bank than about you, which is why a sitting where nothing lands is reported as that rather than dressed as a profile. And one measure, Coercion, exists to reach what a right-coded authoritarianism scale cannot register — that is a real gap to aim at, and aiming at it with an unvalidated instrument is still aiming with an unvalidated instrument. One of its numbers cannot exist after a single sitting: Source Sensitivity compares your reaction to the same quote under two conditions — anonymous, correctly named or falsely named — so that quote has to come back in a later sitting, and the screen says so rather than showing a number built from one.
What this is — and isn’t
This is a public research prototype, not a validated research instrument. Using it for actual research would require licensed and validated instruments, validated translations, cognitive interviewing, pilot testing, reliability analysis, measurement-invariance testing, a documented sampling plan, informed consent, and appropriate ethics review.